From the monthly archives:

July 2008

Yes, I’m Still Gonna Blog

by Jose on July 31, 2008 · 4 comments

in life

I just finished a PowerPoint for a presentation I need to do tomorrow for that big project that everyone / no one knows about. Even on vacay, I can’t go on vacay. It’s just not possible. However, I’ve been listening to some excellent music, drinking some quality beer, and learning and interacting with more people every single day.

With that said, I can’t quit this blogging shit. I’m approaching 250, and I usually write quality posts every day, not just random bulletins, so I found it imperative to just keep it light and simple. Besides, what good is my Google Reader if I can’t share everything I read? Check it out:

Tracy Rosen knows what good teaching is all about. Damian and I, though, have different ideas (it’s funny, honest).

My brother from another mother, Carl Cowan, shows us how Feist counts to 4 with the help of Sesame Street.

Andy Park still amazes me with his photo skills. If you need hot photos like that, feel free to holla at him.

Gotham Schools seems to be a good new resource for teachers to read. Nice and simple. And they like me apparently. Thanks, JD.

A Carnival of Education hosted by my people at A Voice in the Wilderness!

Me on the cover of Essence Magazine? Over Obama? I think I know why I wouldn’t make it on there, but Zack seems to think I deserve it. More power to my man, Zack.

Christina, I’ma tell you what another writer told me: find your voice.

Necole, Necole, anyone who ever says you’re not fair and balanced needs to check this post. (for the fellas … and some of my ladies, too.)

I added a few new cats to my sidebar, mainly Xicano Power, New Millenium Negro, Mike Parent, The Bowery Boys, and The Black Lounge. When you visit them, tell them I said hi. No really. It’s how I roll.

Alright, I’m going to leave you with this:

How is McCain accusing Obama of playing the RACE CARD?! BWWAHAHAHAHAHA!!!! Mr. McCain to you I say, good night and good luck!

jose, who is excited to mentor at least one more Teaching Fellow this coming year (congrats to those who got in)

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I’d like to tell my children, whoever they may be, that I was an activist someday. And by children, I mean the ones I borrow for 10 months a year, but I mean the ones I hope to have in the future, too.

I don’t mean that I’ll be rebel-rousing in my school per se. It’s bad enough I know some of my administrators are reading every word I write carefully. I wouldn’t want them to think I’m trying to start a revolution in our building ::ahem::. In school, as a matter of fact, I tend to maintain a very professional attitude, doing my best to be completely respectful of the students and faculty I encounter on a daily basis. When people ask me for my opinion, I usually give them a blanketed statement that comes straight out some manual on best teaching practices. If not, I give my best opinion, but make it so it’s constructive and non-judgmental.

But when the door closes, I want to give my kids the reality that they may face out there. I want to tell them how the war’s a hoax, how billion-dollar corporations have the gall to help raise gas prices while simultaneously lower wages and cut jobs every quarter, how our president and vice president have no shame whatsoever about their corruption of the US Constitution, how this country’s foundation came at fractionating people who weren’t rich white males, how the world will not look too kindly on children from their neighborhoods, and how they should never forget the struggles where they came from.

The problem with that is: I’ll be labeled a radical.

Oooh. Just the thought that I might impart the documented but often hidden truth to students who often have a distorted vision of the country agitates some to the point that they’ll label me as such. Would I prefer to be downgraded to some title like “liberal” or “anti-war” knowing my past and present thoughts and behavior? My affinity for Rage Against the Machine and Immortal Technique? My protests against NYC budget cuts, against calls to repeal affirmative action, for true immigration reform, and against racist and sexist policies by others on my former campus? My affiliations with activist groups I’ve been a part of, have joined, or will be a part of eventually? My blogroll? Some of the search results that lead people to my interviews and writings? My poetry? Never that.

And I have a hard time looking at people who grew up with similar upbringing to mine and consider themselves moderates. At the risk of sounding belligerent, take a damn side. We can’t sit idly by while so many of us fall down like dominoes in an intricate display of callous tumble design. As much as I like building bridges in the blogosphere and connecting with people who may not necessarily agree with me, I also don’t see any way for me to compromise myself and my ideals, especially with everything I know.

Then I look at my kids, and wonder how much their educational system really values social studies and being informed of current events and history. I wonder how much all these distractions have pulled them away from trying to actually understanding the intricacies of why their cousin’s in jail, why they have a hard time seeing themselves anywhere besides rap videos and the wrong end of a murder story, or why both of their parents have to work at all hours of the day and people still call them lazy.

If trying to find real and ethical answers and solutions to these questions makes me radical, I’ll take that proudly.

jose, who gets the microphone fiend in him every so often …

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The Real Terrorists To NYC

by Jose on July 28, 2008 · 9 comments

in life

“ There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. […] Commuters give the city its tidal restlessness; natives give it solidity and continuity; but the settlers give it passion.”

- E.B. White, “Here is New York”

With all due respect, because E.B. White by all accounts is a great writer, but this is complete bullshit it’s just not that accurate. I’m ambivalent about comments like this with all the recent, subconsciously and increasingly anti-NYC sentiment pervading this citadel’s air. I’m confounded by the possible reasons, but if the recent flood of movies is any indication, the weird relationship between the “settlers” and NYC will always be tenuous at best.

Check the latest disaster flick coming out in Christmas in which now it’s Keanu Reeves’ turn to pick up the pieces after NYC gets destroyed: The Day The Earth Stood Still. At first, when I saw NYC getting destroyed on film, I knew it was because places like NYC, DC, Chicago, San Francisco, and other big cities just have an exceptionally fun look when they’re getting destroyed … but only when it’s fake. After 9/11 and after seeing the massive overhaul of old buildings and businesses here, cranes falling, houses on fire, rising cases of breathing issues from NYC residents, and bar after bar popping up all over Manhattan, I wonder if this barrage of movies destroying NYC is some sort of subconscious attack on the NYC native’s psyche.

And I’m not that defensive about New York; it can more than handle its own. As a native New Yorker, I cheer for the Yankees and root for the Mets on off-days (honestly, Yankees fans have little problems with Mets fans. Not so the other way around …), take the F, V, A, D, and the 1, drink bubble tea and eat sushi with soy sauce with the best of them, can tell you the best way to get to any neighborhood by train, bus, or taxi, have a scary understanding of the history of the Lower East Side complete with why we pronounce Houston HOW-Ston and not HUE-Ston, and a blogroll replete with NYC bloggers. Yet, when someone’s a true Red Sox fan and not some myopic bandwagoner, or prefers their quieter suburb to the crazy confines of this city, I respect that because that’s what they know. Besides, with all of NYC’s pro-capitalist, pro-emperialist (The Empire City anyone?), anti-activist, and white collar tendencies, I’m almost living a contradiction.

Yet, when I see the drastic changes to the city, when “settlers” try to be more NYC than me, when developers keep razing condos and no one can afford to live in them while supposedly low-cost housing keep getting like condos, when none of this matters to the kids who were born and raised here, it gives me more clues as to who are the real terrorists to New York City.

And scarily enough, I can’t quite put a face on them either …

jose, who doesn’t think it’s the settlers, the natives, or the commuters per se …

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Short Notes: La Travesia (The Crossing)

by Jose on July 27, 2008 · 1 comment

in life

Juan Luis Guerra

A few notes:

I hope the Juan Luis Guerra series convinced 1/2 of you to expand your horizons and download a couple of dudes’ tracks. If not, I need to do another series.

5 projects in the queue, none down.

August 15 re-release of the jlv? Excellent.

Wall-E is a must-see movie. Great date movie. Overall, good story.

My cousin Erick’s movie kicked ass at the NY Latino Film Festival. Well received. El Cazador de Venganza’s trailer is here. I’m sure there’ll be more information posted soon about it.

John Kruk and Steve Phillips remind me of the degeneration of baseball. Peter Gammons and Buster Olney remind me why I loved baseball to begin with.

Hill Harper’s following me on Twitter and Nezua of The Unapologetic Mexican added me on his blogroll. Have I arrived? Maybe so.

I love meeting new people in my social networks and even developing older ones, too.

I’m rescinding any inclinations to truly endorse Barack Obama until I actually hear his educational platform. His actions (i.e. appointments to committees) scream louder than any speech he could make.

I hate when people make calls to educate oneself and act like they’re high and mighty, but immediately contradict themselves. Case in point. Also, shout-out to Sassy for linking me.

People say they care about educators, but it’s all lip service. I’m pro-union; take it how you want to.

This has been the best two weeks I’ve had in years. Too bad my lady is leaving to an even more distant country (her mother’s country of origin) for 16 days. She looked wonderful tonight. I’ll miss her.

jose, who wants to do a virtual vernissage for the august 15th release, at the behest of one tracy rosen

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I’m honestly not that arrogant. I just like to call madness out for what it is. Eddie Griffin might be right: I’m insane, and that’s something to be congratulated.

Watching Black in America over the last 2 days, at the encouragement ad nauseum of practically everyone in my Facebook, Twitter, etc., I’ve been somewhat reintroduced to the idea of Blackness and how applicable my own experience is to the ideas brought on by the segments of the show. For one, if we work under the presumption that I’m strictly Black (and not a Black-Latino, or ethnically, a Dominican-Haitian-American), then people who talk to me usually lay a foundation out for my discourse, my actions, and my dress code out of ill-wrought stereotypes. Statistically and upon first review, I’m already a victim of the same discrimination that keeps a million Black men in prison, a million more from attaining the jobs or the promotion that they want, and everyone else from achieving first-class citizenry with those who consider themselves White. We are not a monolith yes, but even in our own dialogues, we tend to indicate otherwise.

The experiences I’ve had, negative and positive in this country, have led me to understand my position as a Black man. Then there are times when my skin textures, color, and facial features are not enough to validate my authenticity as a Black person. That comes from the second level of recognition of a person i.e. my culture. Everything in my exterior might suggest one thing, but the way I speak, the languages I use, the area I decided to teach at, and even my name have always come into contention. On the one end, I can’t be mad; I love gauging the reactions of everyone when I tell them what I’m called, who I date, and my usual dinner (rice and beans, if you must know). On the other hand, it’s a little unnerving to know that, no matter how the dominant culture perceives me, I neither have absolute residence in either camp.

Not that I haven’t written about this before, but someone added a new dimension to that when they asked me the following:

Are you happy with the amount of attention your blog receives?

My response: This isn’t my full time job, so yes, I’m pretty happy with my blog’s successes thus far. Could I use a little more readership? Sure. But I won’t sacrifice why I write for that.

Well, why do you think you may not receive as much attention as some of the more mainstream bloggers?

That’s hard to say, but it could be multiple reasons. It could be because of the aforementioned limits in time, having a job and such. It could be because I discuss education and not always politics or popular culture. Oftentimes, the topic of education becomes marginalized even when I believe it should be at the forefront of our discussions. Most of my commenters are educators on some level themselves. But a small part of me, the same part of me that wonders why I won’t get nominated for certain blog awards because I’m either too Black / Latino or not Black / Latino enough, thinks that it’s because of the identity I’ve undertaken and the way I’ve chosen to express that i.e. I’m Black / Latino, I’m proud, and I’m not going to pigeonhole anyone else strictly based on one part of their being, even if we stand at opposing ends of a topic’s spectrum. Thus, even in cyberspace, we mirror the real world.

Because G_d forbid you’re told by a group of Blacks that you’re only good enough for them when they need the numbers, and not good enough when you’re trying to run your own organization. Heaven knows some group of Latinos is only good when making other Latinos look good, but not very Latino when he or she’s not out in the club or when they don’t fit a certain mold. And I can’t tell you how many times I’ve been looked at during high school to rap or, in more recent times, slam and speak in staccato. Yet, I can’t unstrap myself from the identities I’ve chosen either. I love my dance, my food, my language, and my people.

We have a hard time looking at ourselves (and I mean all of us), and saying, “What are our prejudices?” Imagine if we asked ourselves questions like, “Why do I use some of the prejudiced statements I do?,” “How am I holding another man or woman back from succeeding in their own right?,” and “How does my presence in my community benefit how my community does?” Sometimes, the answers to those questions shocked me, and I had no one to answer but to myself. The astounding prejudice we face in this country can only be remedied once we look at ourselves and create cogent and logical arguments for why we feel the way we do. Then, we need to let go of some of our prejudices while developing pro-peace and pro-community dialogue and not develop an ego in the process.

But a series on the world’s news leader won’t reveal that. We can go over the problems and quandaries in the Black community as much as we want to, much the way we shuffle cards on a table. We can lay them all out as many times as we want in a million different combinations. Yet, the cards are still there, and we haven’t done a damn thing to take them off. Does it make us comfortable to know that the cards are still there? Even if we somehow push the card to the brink of the table, does it satiate us to just keep the card out of play than actually taking it off completely? I’m not sure, and CNN doesn’t have the answers. Neither do we just yet.

But who’ll be insane enough to work towards it? Who? I guess that’s up to you and your reflection …

jose, who understands as a math teacher why solutions are important …

p.s. – I would link you to the referring Juan Luis Guerra song, but … OK, no excuse. Here it is (“La Bilirrubina“) …

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Visa Para Un Sueno (Visa For A Dream)

by Jose on July 23, 2008 · 6 comments

in life

Buscando visa para un sueño
Buscando visa para un sue
ño

My dreams have gotten more macabre lately. Even while my life’s been going great, and it’s gotten better, my dreams have gotten even more insane. Losing more family members, jumping off buildings, and screaming at the top of my lungs for reasons unknown to me are some of the scary images I’ve encountered. I’m assuming it’s a mixture of a range of feelings from mistrust and paranoia to nervousness and preoccupation of the future. It’s cool; it comes with having new and different experiences. I’ve gotten more projects than ever, and different opportunities that I didn’t think would arise. I’m also trying to set and complete goals really, working as hard as I ever have.

But this is all for some dream, I guess. Eventually, I’d like the 2-3 kids (because I couldn’t decide which 1/2 of the kid I’d want), the lady / mother in their lives, a successful career, and a very very very fine apartment / house. I’d also like to say that I’ve explored every avenue that my creativity will allow, from the blogs to the poetry. I want a book with my name published and my name alone. I’d like to do a couple more speaking engagements. I’d also like to see my first class of students graduate from college, and them tell me what it feels like. I’d like to pick up an instrument, and watch a few more of my top 10 music artists in concert. I want to touch every continent other than Antarctica.

I just need a visa to my dreams. I’m not sure where it’ll take me …

jose, whose dreams become more lucid in lightning and thunder …

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Kids In Front of School In Rain

Juan Luis Guerra’s quintessential song is “Ojala Que Llueva Cafe En El Campo,” a song that comes across more as a incantation that the poor and hopefully at the least have coffee somehow fall from the sky to bless them, as if to say that G_d might bless them with their basic necessities to relieve them from their hunger, strife, and sorrow. Riddled with metaphors and as passionate as any song you’ll hear, it’s a reminder of how simple his people’s needs really are. In our own little way, we can be that “cafe” for someone else, not necessarily saving the children, but giving them what they need as well as we can.

On the first night that I landed in Dominican Republic, in the village my mother comes from, I almost immediately found myself teaching math, in a town in need of someone who understands how to turn “improper” fractions into mixed numbers, and how to divide. It’s scary that, even on my vacation, I’m put in the precarious position of trying to tutor a student on 2 years of math in 2 hours. The 16-year-old had a test the next day, and she didn’t really understand anything her teacher was talking about. Of course, that’s where I get to show off and make students wish they got excited about math the way I do. (ed note: Please don’t get it twisted. For goodness sakes, this is strictly PG if not G.)

Granted, a couple of things are at work here. First off, the environment she’s been raised in isn’t the best. The emphasis on education in the neighborhood is, to put it politely, disparate, seldom, and limited. There are a few residents of the hood who’ve done great things like try out for the Olympics and gone to Argentina and Spain (I’m proud to call them family), but most of the people in my neighborhood beyond that. There’s also the utter destruction of their streets, the filth that emanates from the lack of sewage and garbage transport, the violence and rape that’s occured and increased over the last 6-7 years, and what seems like an unresponsive government only concerned with getting their faces painted all over buildings and not reaching back to their supporters.

There was also her attitude. Her voice went from sweet to rancid in seconds, calling out her friends and passersby all types of names that I wasn’t too fond of. When I’m in an educational mind frame, I can’t help but roll my eyes when I’m cursing. Her friend, whose 2 years younger but who looks 10 years older, quit school (or was asked to leave) because of a prank she pulled on a teacher. Her own voice seemed to echo a naiveté about the consequences of her actions, and what most of my friends here deem as unacceptable (having a family really early) seems to be her destiny from the hints she dropped about herself.

Yet, the one slice of hope, and that’s when the next day, the girl I taught told me she definitely passed her math exam, and that excited me a bit. I also knew I couldn’t be there for the rest of her educational career to see her through “la universidad.” However, I did find something out about my little cousin Wanda that I would have never known.

She likes math.

A lot.

And she’s proficient.

Once I found out, my brother and I decided we’d sponsor her to come to the States, that is, if her grades remained at the excellent level they’re at. I put down a nice down payment, and all they needed to do was make sure she’d do what she needed. Not to say that the conditions here are the greatest, but I also find that the most successful people out of Dominican Republic have traveled to other places besides the other side of their country. They can follow the examples of Juan Luis Guerra, Aventura, Julia Alvarez, Junot Diaz, Amelia Vega, Felix Sanchez, and the myriad of underrated athletes, politicians, historians, writers, beauty pageant contestants, and television personalities that may come from their neighborhoods.

But more than anything, they can come back to their neighborhoods and be the coffee that awakens the people in their neighborhoods.

Ojala que llueva cafe …

jose, who’s taken some of the lessons from over there and applied them to his mindset here …

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El Costo De La Vida (The Cost Of Life)

by Jose on July 21, 2008 · 3 comments

in life

Cost of Living

In “El Costo De La Vida (The Cost Of Life)”, Juan Luis Guerra starts off the song like he and his friends are reading straight from a stack of newspapers he’s got on his desk. Check the flow:

El costo de la vida sube otra vez
el peso que baja ya ni se ve
y las habichuelas no se pueden comer
ni una libra de arroz ni una cuarta de café
a nadie le importa qué piense usted
será porque aquí no hablamos inglés
ah ah es verdad.. ah ah e’ verdad. ah ah e’ verdad .
do you understand?

which translates to:

The cost of life goes up again
The peso goes down, can’t even see it
And the beans can’t be eaten
Not even a pound of rice or a quart of coffee
No one cares what you think
Perhaps it’s because we don’t speak English
Ah ah it’s the truth, ah ah it’s the truth, ah ah it’s the truth
Do you understand?

And it’s funny because August, a friend of mine and a social activist in her own right, wrote up a rant describing how contradictory it is for the government to lean towards the removal of social welfare but bail out Fannie Mae and Freddie Mac by simply printing new money for them. And it’s not just happening in the United States but in Guerra’s homeland, Dominican Republic.

During my last visit, I noticed 3 quick indications of the strife and turmoil afflicting the people of Dominican Republic:

1. The peso is of such little value that when the cash register rings up in decimals, cashiers round up to the nearest peso or even the nearest tens place.

2. Crime has risen extremely high in the neighborhood I resided in, to the point where there seems to be an unwritten curfew where everyone double- and triple-locks their doors and gates.

3. The worst threat that many conservative Dominicans perceived was the influx of Haitian immigrants who pedaled everything from peanuts and lollipops to coconuts and pineapples, not the lack of economic or political growth in the country, lack of jobs, or even a nice and clean environment for their kids to play.

And it’s with this passion that a man from even affluent beginnings became the Bohemian philanthropist we know him as today. The anger and despondence of the people he sought to represent his whole career is even more elucidated when we witness the video for said song, banned by several countries for having an anti-American / anti-capitalist message. He probably found out right then and there how powerful his music had become: a strong political message over a seductive merengue beat.

In these kinds of conditions, how could you be moderate? How could you NOT take a side?

la corrupción pa arriba
ya ve pa’ riba tu ves
y el peso que baja
ya ve pobre ni se ve
y la delicuencia
ya ve me pilló otra vez
aquí no se cura
ya ve ni un callo en el pie

y ahora el desempleo
ya ve me mordió también
a nadie le importa noo
ni a la mitsubishi ya ve ni a la chevrolet

English Translation:

The corruption goes up
You see, it goes up you see
And the peso goes down
You see, you don’t even see the poor
And the crime
You see, they pillaged me again
Here it’s never cured
You see, not even the callus in my foot

and now the unemployment
You see, it bit me too
You don’t matter to anyone, no
Not to Mitsubishi, you see, and not to Chevrolet …

For your listening pleasure: “El Costo De La Vida” by Juan Luis Guerra (YouTube)

… to be continued tomorrow

jose, who knows the cost of living is costing us our lives …

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Juan Luis Guerra

1. I just love writing. I really do. No, no long reflections or juxtapositions. Just needed to get that out there. Lately, I’ve thought about what how happy writing makes me, even when my own writing here has become a subject of contention in different areas. My musings about life, love, and the pursuit of peace keep me more focused than ever on all the projects I’ve undertaken. I often wonder whether my various forms of expression is a source of conflict for some because of what I’m saying or because of how I present it.

I got to thinking about that because of this last post by Clay Burell that resonated with me a bit. Yes, it’s about the edublogosphere and how people care too much about stats and rankings, but it can be applied across the board. At some point after looking through my Google Reader, I thought about setting priorities and making sure this writing stayed in the column of “Things I Love To Do” rather than “Things That Keep Me Visible.” Yes, it serves both purposes; as an artist, I have to keep myself visible and a viable candidate for all sorts of projects, and much of my writing is dedicated to some sort of advocacy, and I recognize that. But it’s also my love, and when I lose the latter, I’d rather not have it for either.

2. I saw Juan Luis Guerra y La 440 on Friday (for those not familiar with this world-famous artist, get schooled here). For any Dominican-American, his concerts are only eclipsed in scale by a visit from the Pope, I kid you not. His merengue / bachata music resonates with so many people from across Latin America, and here in the States. When I heard the concert was at Madison Square Garden, I nearly flipped in my chair, immediately broke out the credit card, and bought 4 tickets at 100$ a pop.

At first, my thought was, “Do I really have the money for this typa thing? Am I not already going to the Chuck Mangione concert on Thursday? Didn’t I just get back from Dominican Republic? Don’t I have bills like no other?”

That lasted maybe 30 seconds. Then reason took over.

And rather than tell you right now why Juan Luis Guerra is so important to me, I’ve decided to dedicate a week’s worth of posts to him, because one post is just not enough. While I could be more concerned about who’s dating who and developments that may not resonate into the next year, I’ve decided to take an alternate route and educate you on one of the most important artists (and maybe even men) in Latin American history.

jose, who’s blasting Juan Luis Guerra songs all week …

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Feels So Good

by Jose on July 17, 2008 · 5 comments

in life

Jose Vilson with Chuck Mangione

Humble.

That’s the one word I would use for 2-time Grammy winning jazz artist, Chuck Mangione. He’s made the theme song for millions (no, really, he was commissioned to make the 1980 Winter Olympics song, “Give It All You Got,” instant classic), and has made (I’m guessing here) tons of money in the process. When he first came into the jazz club, he had a host escort him and his wife to their own dressing room. His dressing room had a gilded sign with his name in black and his band had a separate room from him. I was already a little nervous going in thinking I wouldn’t get to meet the man who made 2/5ths of the instrumentals I constantly have on rotation (in order: “Summer Madness” by Kool and the Gang, “Feels So Good” by him, “Give It All You Got” by him, “Victory (Instrumental)” by Puffy feat. Biggie and Busta Rhymes, and “I Can’t Help It” by Grover Washington Jr.).

Yet, after performing for almost 2 hours, his awaiting fans were led upstairs near his dressing room. The rest of the band members walked by, and we gave them props, a couple of enthusiasts asking for autographs from them. Other than that, the crowd that clogged the staircase heavily anticipated him. People from all over the world, people who brought his “Feels So Good” album cover encased in a glass frame, people who knew him from his humble beginnings in Rochester, NY and lived across the street from him, and people who always loved that “one tune” and loved the artist attached to it. This would be enough to make any artist into a diva. Not so with this man.

As soon as I shook his hand, I knew I was meeting someone who never lost his sense of self. He had a soft handshake, and he’s probably a good 5′5″ … with platform shoes. When he breaks out his instrument, he’s taller than the rest of us on stage. And what’s more, he actually wanted to sign autographs and take pictures with us. I’m sure he’s heard and seen it all when it comes to fans, but he was utterly patient, even with him being a little tired. Those of us who deem ourselves popular have a lot to learn from that example, in the blogosphere and real life as well.

jose, who will see Juan Luis Guerra and Alejandro Fernandez tomorrow at Madison Square Garden …

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